TIMROTHFAN Digest 65 Topics covered in this issue include: 1) He's here! by Jenny Estrada 2) Re: He's here! by Sid ---------------------------------------------------------------------- Date: Fri, 5 Jul 1996 11:34:41 -0500 (CDT) From: Jenny Estrada To: timrothfan@u.washington.edu Subject: He's here! Message-ID: <199607051634.LAA13043@seaweed.synasoft.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hi everybody, I just learned yesterday that Tim Roth is in my city!!! I live in Chicago and they are filming a new movie with Tim and Julia Roberts (Everyone Says I Love You?) here in the city. My roommate's brother spotted him at a local bar, so we're going there tonight to see if he might be there!!! Wish us luck! Jenny Estrada Jenny Estrada Swedish Trade Council E-mail: jenny.estrada@swedentrade.com ------------------------------ Date: Fri, 5 Jul 1996 12:29:53 -0700 (PDT) From: Sid To: Tim Roth Fans Subject: Re: He's here! Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII much luck jenny mary ------------------------------ End of TIMROTHFAN Digest 65 *************************** TIMROTHFAN Digest 66 Topics covered in this issue include: 1) unsubscribe by The incredible shrinking man ---------------------------------------------------------------------- Date: Sun, 7 Jul 1996 17:08:01 +0200 (MET DST) From: The incredible shrinking man To: timrothfan@u.washington.edu Subject: unsubscribe Message-ID: <199607071508.RAA21607@login.eunet.no> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Take me off this list please. Eirik Krogh Visted http://login.eunet.no/~eirikvi/home.htm ------------------------------ End of TIMROTHFAN Digest 66 *************************** TIMROTHFAN Digest 67 Topics covered in this issue include: 1) Conversation with Producer of Captives by "Jennifer H. Wolf" 2) Independent Spirit Awards Web Page by "Jennifer H. Wolf" 3) TV movie showings by "Jennifer H. Wolf" 4) Re: TV movie showings by blur@axionet.com ---------------------------------------------------------------------- Date: Thu, 11 Jul 1996 16:02:08 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Conversation with Producer of Captives Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Here's something I found at http://www1.iol.it/cinema/stampa/213.html It's an interview with David Thompson, the producer of Captives: A DENTIST IN A PRISON Conversation with David Thompson producer of the film Captives Where did the idea for the film come from? Well, the idea actually came from the writer Frank Deasy, whom I'd like to mention. I think there's always the slight danger that people tend to forget the writer in these operations. He actually dreamt up the idea, brought me the script and we got Angela Pope to direct it. I was enthusiastic about the script, as it was a fascinating story of obsessive love and passion. Where did the funding for the film come from? The film was funded by a combination of the BBC and Distant Horizon, a company I'd worked with before doing Serafina, the film with Whoopie Goldberg. We put the deal together fairly quickly, actually. The whole thing took only about six months to get funded. The people we asked all responded really well to the script. Tim Roth, who plays the part of the prison inmate, responded immediately, and said he was keen to do it. Angela Pope, the director, was equally enthusiastic and said yes immediately too. The actress Julia Ormond, who's the prison dentist in the film, jumped at the idea, and we were really pleased to get her. She's very much a rising star at the moment. She's in the new Richard Gere film, First Night, taking a role that many Hollywood actresses had been turned down for. The film is set in a prison and tells the story of a young woman who decides to work in the prison as a dentist. How does the story develop from there? Well, as I said before, it's a very passionate story, a fascinating study of obsessive love. It's about how people end up doing the wrong thing, perhaps even despite themselves and despite what they think they should be doing. The character, Rachel, is obviously trapped, for all the irrational reasons, into doing the wrong thing. Rachel's passionate and obsessive love affair actually begins within the jail, with a prison inmate... Yes. To be honest, these things do happen. There have been quite a number of cases recently of people who are working in prisons having affairs with prisoners. Including a prison governer, actually, which happened very recently. How much did the film actually cost. Well, the whole thing cost just under five million dollars, which is more or less similar to the five million or so it cost to make something like Four Weddings and a Funeral. So our costs were very much within the average cost for a film. If I'm not mistaken, the film was shot on location, in a real prison. That's right. We actually shot the film in the sex offenders wing of a real prison. The sex offenders were actually all around us. The security was really tight, as well. We were all checked and double-checked, both when we arrived and when we left the prison. Perhaps this wasn't such a bad idea, in retrospect, because the last time this jail had a film troupe in one of the inmates actually escaped with film troupe - just walked out with them. They've got a good reputation for losing prisoners - they also lost George Blake, the famous spy. He also just walked out with the crew. Were the inmates also used as extras in your film? No, actually. When we shot in the wing, they were all upstairs in their cells. All of the extras are real actors. This was one of the reasons why getting in and out of the prison was so elaborate. It would take about one and a half hours to get into and out of the prison, as all the prisoners had to be moved into their cells while we were being checked by security. We had to walk through double security doors, and our passes were all minutely inspected whenever we went in or left the premises. Yours is a very emotional or "strong" film, which is not quite all that "British". Did this lead to anyproblems? Well, I think you're right. It's fairly safe to say that the British are rather wary of strong, emotional films. They're very cautious about high emotions and tend to go for films which are more emotionally "buttoned-up". And that obviously limits the film's commercial potential. When you do have a film which really sort of takes off emotionally, well, like Four Weddings and a Funeral actually, then everyone tends to breathe a sigh of relief. But I think we're very cautios of strong emotions, of committing ourselves and wearing our heart on our sleeve. And Captives is a really gutsy film, not a restrained film at all. Why do you think British films tend to be so emotionally cautious? Well, I suspect because a lot of British filmmakers tend to make films for the critics rather than the audiences. And I think we've not been good enough at making entertainment, and too concerned about critical reviewers. I suspect that filmmakers tend to think that if they're making a film for theatre release, then it's got to be high-brow and impenetrable. I think there's a slightly pretentious element there. Which is really strange, considering there's a very entrenched television tradition for strong, emotional entertainment... What is the relationship between television and cinema at the moment in England? Very complex. Television has obviously funded lots of films, even very successful ones like Enchanted April and Four Weddings and a Funeral. I suppose television at the moment finances lots of cinema because that's where the money is. It's very difficult to get financing from outside. But obviously making films for television and making films for cinema is not the same thing, yet at the moment the funding is very much connected. I suppose television is taking a few risks now, and is having great success with some of its least likely operations. It's something that the BBC is now getting into more and more. Along with people like Chanel 4, obviously. They've also invested in films that have turned out to be very successful. Angela Pope, the director of the film, has done lots of television, but this is her first feature-length film for cinema. Do you think she had any difficulties in making the transition from directing television to directing for the cinema? I've actually produced other things Angela's done for television, like Sweet as You Are with Liam Neeson about AIDS, which is a brilliant film. She's got a great capacity to make acting ring through. She's really good at getting the best out of the actors - really authentic performances. I don't think she had any difficulties in moving from television to cinema. She very much believes in the story being the strong vehicle behind any film, whether its for television or the cinema. She basically wants to make films that will move and engage people and deliver some emotional punch. I personally don't think that television and cinema are such worlds apart. Apropos of Angela Pope's ability to bring out the "authentic" actor, what can you tell us about the two leads in this film, Tim Roth and Julia Ormond? Well, Tim Roth, who plays Philip, is a very strong and commanding actor. He's got a really insidious screen presence. Julia Ormond, as I said before, is destined for great things. On screen she's just superb, staggeringly beautiful - and at the same time she's incredibly meticulous as an actress. She actually studied dentistry so she could play the part of the dentist in the film. It's clear now that she's a real star in Britain, and her star is going to rise in the United States as well. I just can't be too enthusiastic about her. Both of them have done some television and cinema (Julia has actually worked on American television), but both of them are really on the rise, and the sexual chemistry between the two on screen is just incredible. See it to believe it. (conversation with Sal Mele) ------------------------------ Date: Thu, 11 Jul 1996 16:21:38 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Independent Spirit Awards Web Page Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII There's a running "commentary" type thing on people who were at the Independent Spirit Awards, and there's a picture of Tim and some brief words from him here: http://www.ifctv.com/then4.html Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ------------------------------ Date: Thu, 11 Jul 1996 16:36:08 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: TV movie showings Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII The Independent Film Channel is Showing Rosencrantz & Guildenstern are Dead on Friday, July 12, 1996 at 3:00 PM PST and pm Wednesday, July 17, 1996 at 3:00 PM PST. Someone also asked me if Tim was right or left handed - anyone know? Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ------------------------------ Date: Thu, 11 Jul 1996 19:42:45 -0700 From: blur@axionet.com To: timrothfan@u.washington.edu Subject: Re: TV movie showings Message-ID: <199607120242.TAA29408@axionet.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 04:36 PM 7/11/96 -0700, you wrote: >The Independent Film Channel is Showing Rosencrantz & Guildenstern are >Dead on Friday, July 12, 1996 at 3:00 PM PST and pm Wednesday, July 17, >1996 at 3:00 PM PST. What independent film channel??? >Someone also asked me if Tim was right or left handed - anyone know? Right Handed!!! D.Albarn ------------------------------ End of TIMROTHFAN Digest 67 *************************** TIMROTHFAN Digest 68 Topics covered in this issue include: 1) Finally... by Jenny Estrada 2) Tim Roth ------ SIGHTED!!! (fwd) by "Jennifer H. Wolf" 3) Tim makes 100 coolest people in LA by "Jennifer H. Wolf" 4) This week's (Cable) TV schedule by "Jennifer H. Wolf" ---------------------------------------------------------------------- Date: Tue, 16 Jul 1996 13:59:44 -0500 (CDT) From: Jenny Estrada To: timrothfan@u.washington.edu Subject: Finally... Message-ID: <199607161859.NAA09310@seaweed.synasoft.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Tim Roth is shooting "Hoods" here in Chicago and I actually saw him today! I went down to where they are filming and he came outside. He was in a pin stripe suit with his hair slicked down and looked kind of funny, but I'm glad I finally saw him! Now that I've seen Tim Roth in person, I can go on with my life... Jenny Estrada Jenny Estrada Swedish Trade Council E-mail: jenny.estrada@swedentrade.com ------------------------------ Date: Tue, 16 Jul 1996 13:35:13 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Tim Roth ------ SIGHTED!!! (fwd) Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi everyone, I guess Tim's definitely in Chicago - here's another message I got about his location. I snipped out some non-relevant parts, so that's why it reads a little weirdly. Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------- Forwarded message ---------- Date: Tue, 16 Jul 1996 15:26:42 -0500 From: "D.P. Gumby" To: jenhwolf@u.washington.edu Subject: Tim Roth ------ SIGHTED!!! I was recently in Chicago looking for apartments. While scoping out the neighborhood, I rounded the corner on my new block when I saw a movie set and none other than Tim himself sitting outside on a chair (between takes, I assume). The building was some kind of mid-rise small apartment building and I thought (emphasize "thought") I saw Spike Lee talking on a cellular phone also. Again, it was in Chicago, in a small apartment building, across from Lincoln Park. If you want any more details, buzz me. Joel A. Roush dpgumby@in.net ------------------------------ Date: Tue, 16 Jul 1996 15:03:54 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Tim makes 100 coolest people in LA Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Here's something I found on-line. Tim's one of only a few actors. You can read the entire article at: http://pathfinder.com/buzz/ISSUE39/buzz100list39.1.html THE SECOND ANNUAL BUZZ 100 Once again, our absolutely authoritative (if completely subjective) roster of the 100 coolest people in Los Angeles It's an odd and protracted exercise, this annual ferreting out of L.A.'s coolest people. Not that it's particularly difficult to recognize the all-too-rare blend of style and integrity it takes to make our list. (It took only one visit with actress Julianne Moore, for example, to convince us that she'd be the perfect cover girl for this year's BUZZ 100; read Jerry Stahl's profile of her, and we think you'll understand.) No, the challenge is that you never know just where you'll find the Truly Cool. For the record, the process began some ten months ago, not long after the tumult occasioned by our first annual BUZZ 100 began to die down. We started by sifting through the inevitable complaints (more often than not offered by paid publicists) about last year's effort; to wit: Why wasn't [insert name of client here] on the list? By spring, our researchers were in high gear, attending shows; sampling CDs; canvassing connoisseurs; reading new books and old; meeting, in places sometimes elegant, sometimes not, the candidates themselves (who couldn't know they were candidates, of course, for that would have been Extremely Uncool). In summer, we undertook the merciless winnowing process. (The initial "short" list contained more than three hundred names suggested by hundreds of very persuasive readers, writers, friends, and enemies.) In the end, came the autumn vetting, in which staff members defended each of the finalists in front of the Skeptical But Incredibly Fair-Minded Editor. The results of this ordeal are what follows: our annual list of L.A.'s singularly stylish, fiercely individualistic BUZZ 100. HIPSTERS Combine one part taste and one part agility, then stir Tim Roth Actor If his idol Harvey Keitel is the king of the indies, Roth is surely the heir apparent. From Reservoir Dogs to Little Odessa, no one plays all-American jerks like this savvy English punk. ------------------------------ Date: Tue, 16 Jul 1996 16:10:03 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: This week's (Cable) TV schedule Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi, Here are the Tim movies that are showing this week. Note, as always, that these are Pacific Standard Times, so check your local listings: "To Kill A Priest", Saturday, July 20, 1996 6:30 PM and 11:45 PM on the BRAVO network (a cable channel that everyone might not get). (Here's the plot description: A Polish militia officer plots the assassination of a priest who supports the Solidarity movement. Christopher Lambert, Ed Harris, Joanne Whalley, David Suchet, Joss Ackland, Tim Roth. Directed by Agnieszka Holland. Rated "R". Adult Language, Nudity, Violence, Adult Situations. "Rosencrantz & Guildenstern Are Dead," Wednesday, July 17, 1996 at 3:00 PM and Thursday, July 18, 1996 at 6:15 AM on the Independent Film Channel (another Cable Channel that a lot of people may not get). Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ------------------------------ End of TIMROTHFAN Digest 68 *************************** TIMROTHFAN Digest 69 Topics covered in this issue include: 1) Re: Finally... by Landon Astbury 2) Re: Finally... by George Maslankowski Jr 3) Re: Finally... by The Musils 4) Problem users! by "Jennifer H. Wolf" 5) Re: Problem users! by blur@axionet.com ---------------------------------------------------------------------- Date: Wed, 17 Jul 1996 12:57:41 -0700 (PDT) From: Landon Astbury To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <199607171957.MAA11387@axionet.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 13:59 16/07/96 -0500, you wrote: >Tim Roth is shooting "Hoods" here in Chicago and I actually saw him today! >I went down to where they are filming and he came outside. He was in a pin >stripe suit with his hair slicked down and looked kind of funny, but I'm >glad I finally saw him! > >Now that I've seen Tim Roth in person, I can go on with my life... > >Jenny Estrada > >Jenny Estrada >Swedish Trade Council >E-mail: jenny.estrada@swedentrade.com IS THIS SOME KIND OF A JOKE? GET A LIFE ------------------------------ Date: Wed, 17 Jul 1996 17:09:23 -0500 From: George Maslankowski Jr To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <31ED6493.25FC@adsnet.com> Mime-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Landon Astbury wrote: > > At 13:59 16/07/96 -0500, you wrote: > >Tim Roth is shooting "Hoods" here in Chicago and I actually saw him today! > >I went down to where they are filming and he came outside. He was in a pin > >stripe suit with his hair slicked down and looked kind of funny, but I'm > >glad I finally saw him! > > > >Now that I've seen Tim Roth in person, I can go on with my life... > > > >Jenny Estrada > > > >Jenny Estrada > >Swedish Trade Council > >E-mail: jenny.estrada@swedentrade.com > > IS THIS SOME KIND OF A JOKE? > > GET A LIFE Well, Congrats to you !!!!!! (I'm not joking) I hope I'll be as lucky when I go up there Saterday to see The Cure !! ------------------------------ Date: Wed, 17 Jul 1996 17:00:34 -0700 (MST) From: The Musils To: Landon Astbury Cc: Tim Roth Fans Subject: Re: Finally... Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII > >Now that I've seen Tim Roth in person, I can go on with my life... > > > > IS THIS SOME KIND OF A JOKE? > > GET A LIFE Nastyness is something that hasn't reared its ugly head on this list yet and it has been a pleasure. Your nasty remark to Jenny was just that, NASTY. I have the feeling and did so when I was originally reading her post that this line was said "in jest". I think maybe you need to look at things more objectively and ease up. I doubt Jenny meant anything by it more than a joke. gina Gina Musil musil@primenet.com ------------------------------ Date: Wed, 17 Jul 1996 21:45:36 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Problem users! Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Well, we've now had our first problem subscriber! I gave him/her a small warning and s/he sent me back some snitty message saying "well take me off the list if you don't want my nasty messages!" so I took him/her off. It amazes me that someone who wants to be taken off can't either 1)figure it out themselves or 2)ask politely. I've never seen "getting myself kicked off" as a great way to get off a list. Anyway, the coast is clear! Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ------------------------------ Date: Wed, 17 Jul 1996 23:17:39 -0700 (PDT) From: blur@axionet.com To: timrothfan@u.washington.edu Subject: Re: Problem users! Message-ID: <199607180617.XAA05908@axionet.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 21:45 17/07/96 -0700, you wrote: >Well, we've now had our first problem subscriber! I gave him/her a small >warning and s/he sent me back some snitty message saying "well take me off >the list if you don't want my nasty messages!" so I took him/her off. It >amazes me that someone who wants to be taken off can't either 1)figure it >out themselves or 2)ask politely. I've never seen "getting myself kicked >off" as a great way to get off a list. > >Anyway, the coast is clear! > >Jennifer >=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- >Jennifer H. Wolf email: jenhwolf@u.washington.edu >Maintainer of the Tim Roth mailing list and unofficial web page: >http://weber.u.washington.edu/~jenhwolf >=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- > > Well obviously you haven't since I'm still getting your mail And if your going to quote me do it properly And don't lie!!! ------------------------------ End of TIMROTHFAN Digest 69 *************************** TIMROTHFAN Digest 70 Topics covered in this issue include: 1) Re: Finally... by Sid 2) Re: Finally... by johntravolta@juno.com (Roger "Verbal" Kint) 3) Re: Finally... by blur@axionet.com 4) Re: Finally... by blur@axionet.com 5) Re: Finally... by dms@cam-orl.co.uk (Daisy Sadleir) 6) ENOUGH! by Jenny Estrada 7) Re: ENOUGH! by johntravolta@juno.com (Roger "Verbal" Kint) 8) Re: Finally... by johntravolta@juno.com (Roger "Verbal" Kint) 9) Actual Tim Roth Content by mmlile@facstaff.wm.edu (liles melissa m) 10) Re: Actual Tim Roth Content by "Jennifer H. Wolf" ---------------------------------------------------------------------- Date: Thu, 18 Jul 1996 00:58:10 -0700 (PDT) From: Sid To: Tim Roth Fans Subject: Re: Finally... Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII that was very rude of you to say that On Wed, 17 Jul 1996, Landon Astbury wrote: > At 13:59 16/07/96 -0500, you wrote: > >Tim Roth is shooting "Hoods" here in Chicago and I actually saw him today! > >I went down to where they are filming and he came outside. He was in a pin > >stripe suit with his hair slicked down and looked kind of funny, but I'm > >glad I finally saw him! > > > >Now that I've seen Tim Roth in person, I can go on with my life... > > > >Jenny Estrada > > > >Jenny Estrada > >Swedish Trade Council > >E-mail: jenny.estrada@swedentrade.com > > > IS THIS SOME KIND OF A JOKE? > > GET A LIFE > > ------------------------------ Date: Thu, 18 Jul 1996 09:28:42 PST From: johntravolta@juno.com (Roger "Verbal" Kint) To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <19960718.102757.4583.15.JohnTravolta@juno.com> On Thu, 18 Jul 1996 00:58:10 -0700 (PDT) Sid writes: > >that was very rude of you to say that > >On Wed, 17 Jul 1996, Landon Astbury wrote: > >> At 13:59 16/07/96 -0500, you wrote: >> >Tim Roth is shooting "Hoods" here in Chicago and I actually saw him >today! >> >I went down to where they are filming and he came outside. He was >in a pin >> >stripe suit with his hair slicked down and looked kind of funny, >but I'm >> >glad I finally saw him! >> > >> >Now that I've seen Tim Roth in person, I can go on with my life... >> > >> >Jenny Estrada >> > >> >Jenny Estrada >> >Swedish Trade Council >> >E-mail: jenny.estrada@swedentrade.com >> >> >> IS THIS SOME KIND OF A JOKE? >> >> GET A LIFE >> >> > > She knows this was very rude of her to say, seems like nobody can take a joke. Isn't it ironic? I write to the girl that wrote to this, and I've written to you before, strange strange strange. But who cares, this is just too damn funny, I can't believe this list, is it nessicary to send these hateful messages to the entire list? I don't think so, why don't they just send them to to her directly, you know? Well, I gotta go, Sarah. ------------------------------ Date: Thu, 18 Jul 1996 09:02:28 -0700 (PDT) From: blur@axionet.com To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <199607181602.JAA29255@axionet.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" At 00:58 18/07/96 -0700, you wrote: > >that was very rude of you to say that > >On Wed, 17 Jul 1996, Landon Astbury wrote: > >> At 13:59 16/07/96 -0500, you wrote: >> >Tim Roth is shooting "Hoods" here in Chicago and I actually saw him today! >> >I went down to where they are filming and he came outside. He was in a pin >> >stripe suit with his hair slicked down and looked kind of funny, but I'm >> >glad I finally saw him! >> > >> >Now that I've seen Tim Roth in person, I can go on with my life... >> > >> >Jenny Estrada >> > >> >Jenny Estrada >> >Swedish Trade Council >> >E-mail: jenny.estrada@swedentrade.com >> >> >> IS THIS SOME KIND OF A JOKE? >> >> GET A LIFE >> Boy if you only knew that it wasn't in regards to Jenny it was for the fan club person that sends this email 5 times over. I think because no one else ha anything better to do there But if you know this Jenny Tell her I'm sorry for the misunderstanding but this person who runs this fan thing is going a little over board ------------------------------ Date: Thu, 18 Jul 1996 09:06:39 -0700 (PDT) From: blur@axionet.com To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <199607181606.JAA29577@axionet.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" >She knows this was very rude of her to say, seems like nobody can take a >joke. Isn't it ironic? I write to the girl that wrote to this, and I've >written to you before, strange strange strange. But who cares, this is >just too damn funny, I can't believe this list, is it nessicary to send these hateful messages to the entire list? I don't think so, why don't >they just send them to to her directly, you know? > >Well, I gotta go, >Sarah. Because she wants everyone to know what a big girl she is She knows how to take control and tell someone to kiss her a** ------------------------------ Date: Thu, 18 Jul 1996 17:25:35 +0100 From: dms@cam-orl.co.uk (Daisy Sadleir) To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Please stop all this nonsense! Up till now I've always enjoyed reading everybody else's messages to the fanclub. I think we're all kids at heart, so what's wrong in acting a bit like a teenager who's head over heals over a pop/movie star? There are far worse things in life! Let's give all this agro a break! Have a nice day... ------------------------------ Date: Thu, 18 Jul 1996 11:58:17 -0500 (CDT) From: Jenny Estrada To: timrothfan@u.washington.edu Subject: ENOUGH! Message-ID: <199607181658.LAA17177@seaweed.synasoft.com> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Hey Everybody, please STOP!!! Enough about my message, it's over, okay? Stop calling each other names, the amount of e-mail I'm getting is ridiculous! Jenny Jenny Estrada Swedish Trade Council E-mail: jenny.estrada@swedentrade.com ------------------------------ Date: Thu, 18 Jul 1996 12:13:27 PST From: johntravolta@juno.com (Roger "Verbal" Kint) To: timrothfan@u.washington.edu Subject: Re: ENOUGH! Message-ID: <19960718.121330.4583.3.JohnTravolta@juno.com> On Thu, 18 Jul 1996 11:58:17 -0500 (CDT) Jenny Estrada writes: >Hey Everybody, please STOP!!! > >Enough about my message, it's over, okay? > >Stop calling each other names, the amount of e-mail I'm getting is >ridiculous! > >Jenny > >Jenny Estrada >Swedish Trade Council >E-mail: jenny.estrada@swedentrade.com > > THE AMOUNT OF MAIL EVERYONE'S GETTING IS RIDICULOUS! SO LET'S STOP IT! OKEE-DOKEE? Sarah,. ------------------------------ Date: Thu, 18 Jul 1996 12:10:48 PST From: johntravolta@juno.com (Roger "Verbal" Kint) To: timrothfan@u.washington.edu Subject: Re: Finally... Message-ID: <19960718.121330.4583.1.JohnTravolta@juno.com> On Thu, 18 Jul 1996 09:02:28 -0700 (PDT) blur@axionet.com writes: >At 00:58 18/07/96 -0700, you wrote: >> >>that was very rude of you to say that >> >>On Wed, 17 Jul 1996, Landon Astbury wrote: >> >>> At 13:59 16/07/96 -0500, you wrote: >>> >Tim Roth is shooting "Hoods" here in Chicago and I actually saw >him today! >>> >I went down to where they are filming and he came outside. He was >in a pin >>> >stripe suit with his hair slicked down and looked kind of funny, >but I'm >>> >glad I finally saw him! >>> > >>> >Now that I've seen Tim Roth in person, I can go on with my life... >>> > >>> >Jenny Estrada >>> > >>> >Jenny Estrada >>> >Swedish Trade Council >>> >E-mail: jenny.estrada@swedentrade.com >>> >>> >>> IS THIS SOME KIND OF A JOKE? >>> >>> GET A LIFE >>> > > >Boy if you only knew that it wasn't in regards to Jenny it was for the >fan >club person that sends this email 5 times over. > >I think because no one else ha anything better to do there > >But if you know this Jenny >Tell her I'm sorry for the misunderstanding but this person who runs >this >fan thing is going a little over board > > Right on, I've gotten about five thousand messages from this thing in the past, oh, I don't know, twelve hours and I'm sick of it, I can't handle this. Too much mail! Why does any one put up with this? ------------------------------ Date: 18 Jul 96 13:03:25 From: mmlile@facstaff.wm.edu (liles melissa m) To: timrothfan@u.washington.edu Subject: Actual Tim Roth Content Message-ID: <9607181721.AA15421@facstaff.wm.edu> I just saw something funny when searching under "Tim Roth" under altavista...It is called the "Tim Roth Monastery." It is a "society that occupies itself with the appreciation of the individual known as Tim Roths...persons of great beauty that irradiate large quanities of cool..." They go on to name some "Tim Roths" as: Bjork, Isabelle Adjani, Jodie Foster, Uma Thurman etc. Jennifer, as I only have text based/command driven access to the internet, I can't see and do everything on the "unoffical" page...Do you need the article from SITE & SOUND from ca. 1992 (article entitled "The Mens Room")? I have it but it is mostly about Tarantino but their is a short interview with Tim that I could post to the group if anyone is interested? RE: TO KILL A PRIEST, thanks for letting us know about Bravo's showing...I will watch it again, I think it is movie that had a lot of potential but unfortuantely Christopher Lambert is like an android in his role and well he's the main character...as per usual, Tim gives a wonderful performance as a bad guy... * mml * "Its rorshach and prozac and everythings groovy" -- Nick Cave ------------------------------ Date: Thu, 18 Jul 1996 11:41:50 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth Fans Subject: Re: Actual Tim Roth Content Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi Melissa, Yes, go ahead and send me (or the list) the article, I'll put it up on the page. As for all the mail, I can moderate the list again for a while, which I guess I'll have to do. As for people getting multiple copies of things, that's a result of your own email system, not the list, so there's not much I can do about it. Jennifer On 18 Jul 1996, liles melissa m wrote: > I just saw something funny when searching under "Tim Roth" under > altavista...It is called the "Tim Roth Monastery." It is a "society > that occupies itself with the appreciation of the individual known as > Tim Roths...persons of great beauty that irradiate large quanities of > cool..." They go on to name some "Tim Roths" as: Bjork, Isabelle > Adjani, Jodie Foster, Uma Thurman etc. > > Jennifer, as I only have text based/command driven access to the > internet, I can't see and do everything on the "unoffical" page...Do > you need the article from SITE & SOUND from ca. 1992 (article > entitled "The Mens Room")? I have it but it is mostly about > Tarantino but their is a short interview with Tim that I could post > to the group if anyone is interested? > > RE: TO KILL A PRIEST, thanks for letting us know about Bravo's > showing...I will watch it again, I think it is movie that had a lot > of potential but unfortuantely Christopher Lambert is like an android > in his role and well he's the main character...as per usual, Tim > gives a wonderful performance as a bad guy... > > * mml * "Its rorshach and prozac and > everythings groovy" -- Nick Cave > > ------------------------------ End of TIMROTHFAN Digest 70 *************************** TIMROTHFAN Digest 71 Topics covered in this issue include: 1) Sight and Sound, December 1992, "The Mens Room," p. 9. by mmlile@facstaff.wm.edu (liles melissa m) 2) Re: Sight and Sound, December 1992, "The Mens Room," p. 9. by "Marlow, Marguerite [CSU]" 3) Re: Sight and Sound, December 1992, "The Mens Room," p. 9. by johntravolta@juno.com (Quentin J. Tarantino) 4) RE: The Hit and King of the Ghetto by mmlile@facstaff.wm.edu (liles melissa m) 5) Re: The Hit and King of the Ghetto by johntravolta@juno.com (Quentin J. Tarantino) ---------------------------------------------------------------------- Date: 19 Jul 96 08:45:44 From: mmlile@facstaff.wm.edu (liles melissa m) To: timrothfan@u.washington.edu Subject: Sight and Sound, December 1992, "The Mens Room," p. 9. Message-ID: <9607191303.AA16380@facstaff.wm.edu> Amy Taubin talks to Tim Roth about class, acting - and why Tarantino's 'Reservoir Dogs' upsets people ****************************************** No actor, not even Ben Gazzara in John Cassavetes' 'The Killing of a Chinese Bookie,' has ever bled as long, agonisingly, and profusely as Tim Roth in 'Reservoir Dogs.' It's a performance of amazingly technichal skill, emotional intensity, and, odd as it may sound comic nuance. Part of what drives Roth as an actor is a fierce working- class loyalty that encompasses punks and bohemians, cops and criminals, the mad and the lumpen-all of them aligned against 'yuppies,' 'suits' and 'tea-cup holders.' Roth was brought up politically active. His father was a left- wing journalist; his mother is still an activist. "When I was a kid, we'd go boycott the National Front. Then I got political myself." His father had been a tail gunner in the Second World War. After the war he changed his name from Smith to Roth. "As a journalist he was travelling to places where the English weren't welcome, which meant just about anywhere. I like to think he took a German-Jewish name as a political statement." In his last year of secondary school, Roth auditioned for a play "as a joke" and got the part. "I was very embarrassed. The first night, I got on stage and I pissed in my pants. It sounds like one of those actor tales, but it's true. I got through the first five minutes, and then I thought, this is it, this what I want to do now, this is the most fun I can possibly have." He went to art school, but dropped out when acting in pub theatres began to take up all his time. His first screen role was in Alan Clarke's 'Made in Britain' and he hasn't stopped working since. "Alan was the best. I saw 'Scum' ten times. After he died, there were all these Alan Clarke actors walking around London moaning 'what are we going to do now'." About a year and a half ago Roth came to the US to do 'Jumpin' at the Boneyard,' an $850,000 indie by first-time director/writer Jeff Stanzler, shot on location in the Bronx. Roth plays an unempoloyed, massively depressed Irish-American who's desperately trying to save his crack-addicted younger brother. 'Boneyard' has some predictable first-film problems, but it deals with class and race in a way that's rare in American movies. Roth went straight from 'Boneyard' to 'Reservoir Dogs' and then to 'Bodies in [sic] Rest and Motion' (described in the advance publicity as "a blue collar 'sex, lies and videotape'"). " 'Jumpin' at the Boneyard' could have been set in England. We have that kind of poverty and those kinds of problems. Those are universal problems. So to come to America to play that kind of American was important to me - not to play the English bad guy in a 'Die Hard' movie. In the States, you can make a feature film like Nick Gomez's 'Laws of Gravity' for $38,000. We could do that in Britain, but no, it's Jeremy Irons and Kenneth Branagh." In Roth's terms, the issue isn't nationality, it's class. What Tarantino, Gomez and Abel Ferrara are doing in the US in the 90s is what Clarke and Stephen Frears and Mike Leigh were doing in Britain in the 80s. But by upping the ante on violence, haven't Ferrara and Gomez pushed the working-class art movie into the kind of exploitation Hollywood finds highly commercial? Roth doesn't see it that way. "I like violent movies if they're ture to the experience of violence. Alan Clarke was the king of that because he made films about real people who were in sad situations. Did you ever see 'Elephant'? The violence is real, it's political. I love violence in movies because it affects me, it hurts me. I love sex in movies, romance. Violence is just part of that. Ferrara's 'King of New York' is part of that. Christopher Walken - the most unpredictable performance. You never knew if he was happy or sad. You can meet these people on the street; it directly relates to the experience of your life. You got inside those people and an accurate script. They probably wouldn't have given him the money to make if there hadn't been a lot of guns in it, but they also didn't know what they were getting into when they put their money down. "Why are they getting concerned all of a sudden about violence. The people in Washington, they're the real gang bangers. People get upset about 'Reservoir Dogs' because Quentin shows you that violence has consequences. People have been lulled into advertising violence instead - nicely shot, beautifully lit, thank you very much, this guy dies, and Mel Gibson. People see 'Reservoir Dogs' thinking they've seen a really violent movie, but they haven't. You see maybe only three specific acts of violence, but it's always impending. It's in the air, in the way they speak and communicate. It's what makes Quentin a great director as opposed to someone who does a violent movie. "But I'm glad people get upset; it's an upsetting subject. Get used to it. It's going to be around for a long time." ******************************************************************** Note: An incomplete Filmography followed this interview. There was also mention of British television that he has been in of which I will put here as I can't remember if they are in included in the web page or not... Television ********** MADE IN BRITAIN, D: Alan Clarke (1983) MEANTIME, D: Mike Leigh (1983) A CLASS OF HIS OWN (1984) THE HIT, D: Stephen Frears (1984) PAID TO KILL THE POPE? (TV Eye, 1985) AGATHA CHRISTIE'S MURDER WITH MIRRORS (1985) KING OF THE GHETTO (series, 1986) FRANKENSTEIN AND DRACULA (The South Bank Show, 1987) FRANZ KAFKA'S 'THE TRIAL' (The Modern World: Ten Great Writers, 1988) COPPERS (1988) KNUCKLE/METAMORPHOSIS (Theatre Night, 1989) FREEBORN ENGLISHMAN (no date given) Ciao, mml ------------------------------ Date: Fri, 19 Jul 96 14:35:00 PDT From: "Marlow, Marguerite [CSU]" To: 'timrothfan' Subject: Re: Sight and Sound, December 1992, "The Mens Room," p. 9. Message-ID: <31EFFFBD@courier.lmu.ac.uk> mml, Thanks for typing the Sight and Sound article. In particular, I was interested in Tim's Television appearances. "KING OF THE GHETTO (series, 1986)" I thought I was the only person who had heard of this (started to think I was hallucinating or something!) One day I will track this down. Who knows, maybe the BBC will get their act together and reshow it (yeah, right!) Bye! Marguerite *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* "How you fall doesn't matter. It's how you land!" - La Haine *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^* ------------------------------ Date: Fri, 19 Jul 1996 09:19:50 PST From: johntravolta@juno.com (Quentin J. Tarantino) To: timrothfan@u.washington.edu Subject: Re: Sight and Sound, December 1992, "The Mens Room," p. 9. Message-ID: <19960719.091953.4583.1.JohnTravolta@juno.com> MML, I've been looking for The Hit, has anyone seen it? ------------------------------ Date: 19 Jul 96 12:20:02 From: mmlile@facstaff.wm.edu (liles melissa m) To: timrothfan@u.washington.edu Subject: RE: The Hit and King of the Ghetto Message-ID: <9607191637.AA16840@facstaff.wm.edu> > MML, > I've been looking for The Hit, > has anyone seen it? Yes, I found it at my local (wheeze, cough, eh-hem) Blockbuster Video...I liked it pretty well...Tim is very intense, very punky, very young...loved 'em in it. Marguerite, did you have a chance to see any of the series King of the Ghetto when it aired? If so, what are your memories of it? Was it just one season? etc... Oh, and Tim likes violence in movies that is "true" to the experience not "ture" as I typed, oops... And off Tim subject for a moment, so far Fargo has been my favorite movie of the year...Someone lent me a movie recently that they taped off of HBO called 'Freeway'...It is sort of in the Fargo vein, good, violent, funny, and has a morality tale in it of sorts [warning: 1st 10-15 minutes of the movie doesn't really let you in on the fact that much of it is campy or tongue-in-cheek] Oh yea, and Amanda Plummer has an interesting cameo...shes great! Back to Tim, has 'Four Rooms' been released on video yet? * mml * ------------------------------ Date: Fri, 19 Jul 1996 13:44:10 PST From: johntravolta@juno.com (Quentin J. Tarantino) To: timrothfan@u.washington.edu Subject: Re: The Hit and King of the Ghetto Message-ID: <19960719.134419.4583.1.JohnTravolta@juno.com> On 19 Jul 96 12:20:02 mmlile@facstaff.wm.edu (liles melissa m) writes: > > Back to Tim, has 'Four Rooms' been released on video yet? > > * mml * > > Four Rooms came out on video the 16th of July. sarah ------------------------------ End of TIMROTHFAN Digest 71 *************************** TIMROTHFAN Digest 72 Topics covered in this issue include: 1) Unsubscribe by The incredible shrinking man ---------------------------------------------------------------------- Date: Sat, 20 Jul 1996 17:42:01 +0200 (MET DST) From: The incredible shrinking man To: timrothfan@u.washington.edu Subject: Unsubscribe Message-ID: <199607201542.RAA17923@login.eunet.no> Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Take me off the Tim Roth list please. Eirik Krogh Visted http://login.eunet.no/~eirikvi/home.htm ------------------------------ End of TIMROTHFAN Digest 72 *************************** TIMROTHFAN Digest 73 Topics covered in this issue include: 1) Tim's Autograph by wolfie@ix.netcom.com (Julia Galka) ---------------------------------------------------------------------- Date: Mon, 22 Jul 1996 17:31:59 -0700 From: wolfie@ix.netcom.com (Julia Galka) To: timrothfan@u.washington.edu Subject: Tim's Autograph Message-ID: <199607230031.RAA11695@dfw-ix10.ix.netcom.com> Hi everyone, I wanted to let everybody know that I got Tim's autograph today in the mail. It's a small photo, about the size of a large postcard. It's black and white, he has his hand on his chin, and he has a worried look on his face. It says To Alicia, Best Wishes, Tim Roth. I wrote him a couple months back and he DID respond. The address I used was: Michaels, Wolfe, and Trencer, Inc. Public Relations 9350 Wilshire Blvd. Suite 328 Beverly Hills, CA 90212 I think this address is already on the page, but here it is again, just in case. So there is hope, he DOES send autographs! He made a devoted fan very happy. ;) ~~~Alicia ------------------------------ End of TIMROTHFAN Digest 73 *************************** TIMROTHFAN Digest 74 Topics covered in this issue include: 1) Re: Sight and Sound, December 1992, "The Mens Room," p. 9. by Renee Carriere 2) Re: More Hoodlums Info: by Renee Carriere ---------------------------------------------------------------------- Date: Tue, 23 Jul 1996 14:32:45 -0700 (PDT) From: Renee Carriere To: timrothfan@u.washington.edu Cc: rcarrier@sfu.ca Subject: Re: Sight and Sound, December 1992, "The Mens Room," p. 9. Message-ID: <199607232132.VAA12301@fraser.sfu.ca> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit > > MML, > I've been looking for The Hit, > has anyone seen it? > > ------------------------ July 23/96 Do you mean in terms of purchasing it or just as a rental? I saw it a few months ago and was quite amused....especially by the bleach blonde 'do that Tim was sporting!! Most of the major video stores here in Vancouver had it in stock. I don't know if you're familiar with (or have available) Videomatica but they're quite helpful in helping with a "hard find" when it comes to vi- deos. I'll try and get their number if you're interested. Renee ------------------------------ Date: Tue, 23 Jul 1996 14:51:40 -0700 (PDT) From: Renee Carriere To: timrothfan@u.washington.edu Subject: Re: More Hoodlums Info: Message-ID: <199607232151.VAA18806@fraser.sfu.ca> Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit > > > VARIETY reports Andy Garcia, Cicely Tyson, Chi McBride, and > Clarence Williams III have all joined Laurence Fishburne, > Tim Roth, and Vanessa Williams in the cast of HOODS. The > film, formerly titled HOODLUMS, is the story about the war > over the numbers racket in Harlem during the '30s. > > > --------------------------- July 23/96 and as you all probably know by now...Laurence Fishburne was on Letterman last week talking about this very subject....and goes on to say that we can look forward to seeing HOODS sometime at the end of this year...now there's a Xmas bonus to look forward to! Later! Renee rcarrier@sfu.ca ------------------------------ End of TIMROTHFAN Digest 74 *************************** TIMROTHFAN Digest 75 Topics covered in this issue include: 1) Cybersleaze on Tim by "Jennifer H. Wolf" ---------------------------------------------------------------------- Date: Sun, 28 Jul 1996 09:37:30 -0700 (PDT) From: "Jennifer H. Wolf" To: Tim Roth List Subject: Cybersleaze on Tim Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hi everyone, The July 17, 1996 Cyersleaze reports this: Looks like British star TIM ROTH is going into the bar business. The RESERVOIR DOGS and PULP FICTION actor, currently shooting his new film HOODS with LAWRENCE FISHBURNE, was spotted at his favorite New York haunt, the HOGS AND HEIFERS bar, this weekend telling regulars at the trendy establishment that he and the bar's owner ALLAN DELL are planning to be partners in a Hogs branch in Los Angeles, California that should open by October of this year. And, to prove he's not just a silent partner, Roth, (looking like he was powered by some drinks of his own if you know what I mean), took to bartending for the crowd and bringing up cases of beer from the basement. Jennifer =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Jennifer H. Wolf email: jenhwolf@u.washington.edu Maintainer of the Tim Roth mailing list and unofficial web page: http://weber.u.washington.edu/~jenhwolf =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ------------------------------ End of TIMROTHFAN Digest 75 *************************** TIMROTHFAN Digest 76 Topics covered in this issue include: 1) Re: Cybersleaze on Tim by "Nicole M. Campos" ---------------------------------------------------------------------- Date: Mon, 29 Jul 1996 11:44:11 -0700 (PDT) From: "Nicole M. Campos" To: Tim Roth Fans Subject: Re: Cybersleaze on Tim Message-ID: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII On Sun, 28 Jul 1996, Jennifer H. Wolf wrote: > Looks like British star TIM ROTH is going into the bar business. The > RESERVOIR DOGS and PULP FICTION actor, currently shooting his new film > HOODS with LAWRENCE FISHBURNE, was spotted at his favorite New York > haunt, the HOGS AND HEIFERS bar, this weekend telling regulars at the trendy > establishment that he and the bar's owner ALLAN DELL are planning to > be partners in a Hogs branch in Los Angeles, California that should open > by October of this year. Tim was wearing a Hogs and Heifers t-shirt when I interviewed him! I'm not kidding! Hee hee!!! ;-)_ XOXOX Nicole ------------------------------ End of TIMROTHFAN Digest 76 ***************************